Sometimes, Squiders, it’s good to go back to the basics. I would divide the writing process into the following steps:
- Submission and/or Publication
Would you agree with that?
The first step of that is (arguably) outlining. It’s said that writers fall into two categories, plotters (people who plan a story before writing) and pantsers (people who write by the seat of their pants without an idea where the story is going).
I would argue that we all plot, at least a little bit. Even a pantser typically doesn’t go into a story without having an idea of length, main character, and premise. I mean, I’m sure people have, but I’m not sure they got very far.
Perhaps that’s a point for discussion another time. Does planning things out make it easier to finish a story? My experience says yes, but that’s only one bullet point.
So, I would argue that we all fall somewhere on a sliding scale between true pantser (no planning whatsoever) and true plotter (detailed, several thousand-word outlines, character sheets for all major and minor characters, world map, etc.).
People on the pantser side of the scale like to jump into a story with a minimum amount of planning and see where the story gets them. They can add in whatever cool new thing catches their attention because they don’t have to stick to an outline.
People on the plotter side, in general, have an idea where they’re going. This makes it easier to stick with a story and not get stuck. Plotting also helps you remember things, especially if you’re prone to forgetting your latest great plot epiphany or character motivation.
I think people kind of float back and forth along the scale throughout their careers. As for me, I started out close to true pantser, many years ago. My first novel, all I had going into it was a premise and a genre (murder mystery). It stands uncompleted at 29,000 words, and will probably never see the light of day again.
I’ve been drifting more toward plotter ever since. At first, I would pants the first half of a novel and then outline the rest so I could pick up the loose ends. My last few novels I’ve outlined the whole thing before I started using a fairly loose method that identifies key plot points (inciting incident, midpoint, climax, etc.).
Oh my landsquid, this makes it so much easier. It doesn’t kill your creative wiggle room, and taking stories in chunks, knowing where you need to be at a certain point and what you’re working toward overall, makes it easier to get there without wallowing in unproductive middles.
Of course, that’s just my experience. What about you, Squiders? Are you a pantser or a plotter? How have your methods changed throughout your career?