Archive for the ‘Publishing’ Category

MileHiCon and Nanowrimo

I have survived the con! \o/ Barely. But I had a good time and made some new friends (yay!) and am now on a search for a refillable notebook cover. (Craig Griswold who was in the art show, on the off chance you read this, you have no online presence and I would like to buy things from you.)

(If you know of nice refillable notebook covers–i.e., a cover you can move from notebook to notebook that attaches to said notebook’s cover, kind of like a dust jacket for a notebook–in a larger size, such as composition book or steno book size, let me know. It seems like the perfect solution to my need to buy fancy notebooks but then my reticence to use said notebooks because they’re too fancy.)

I think the panels and limited signing/selling books time is a much better combination for me. I might have sold more books if I manned a table all weekend, but hey, maybe I wouldn’t have. I sold a decent amount for the time I did man a table, and any difference in sales is not worth being trapped at a table all convention. I got to see the costume contest for the first time ever.

The panels were mostly fun. The Trek one was the best, both because of the obvious love for the franchise by everyone on the panel and in the audience, and also because we actually discussed things back and forth on the panel. The audience was engaged and had great questions and comments. The Doctor Who one was the worst. It was a roundtable, which is basically just a big discussion between everyone present, but it was dominated by a small minority who wanted to talk about special effects and other background things while it was obvious some people just wanted to geek out over their favorite companions and whatnot. And the fangirling panel was fun, but we would all just go in a row to answer each question, and I wish we’d had more actual discussion.

It was a learning experience, though, and I’d definitely do it again.

There were a lot of questions from con attendees about Nanowrimo. It makes sense–the convention attracts a lot of amateur and beginning authors and it is almost November (I wrote Navember, haha)–but it still surprised me. So I figured I’d better do my obligatory Nano post for the year here.

I’m not doing Nano this year. I have not been terribly productive this year, at least not as productive as I’d planned to be, due to various stresses, and while November should be pretty chill (after next Wednesday, anyway) I know that the moment I commit to anything, something else will fall apart. So I’m out for the year, though I will probably do a smaller goal (somewhere between 10K and 20K) on my rewrite.

Doing Nano, squiders? Thoughts on MileHiCon if you went, or conventions in general?

Also, happy Halloween!

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Getting Ready for MileHiCon

Killing two birds with one stone, Squiders. (I did not get my outlining done. I did, however, finally vacuum the basement. Nonfiction next week for sure, though.)

I’m so not stressed about the con this year, which feels lovely. I kind of feel like I should be, since, you know, public speaking and all, but I’m going to get to see friends and see all the cool con stuff and hopefully make new friends, so I’m mostly excited. (Though I have discovered that I am the only woman on a panel of men for the Trek panel, which could be fine, or could be terrible. Time will tell! The only other person on the Doctor Who panel doesn’t have a bio on the website, so they remain a mystery. I’m hoping they know what they’re doing though, because I don’t.)

Anyway! Things to be done before the convention:

  • PACK YOUR BUSINESS CARDS, KIT, WHY ARE YOU SO BAD AT THIS (seriously, I have hundreds and yet I always forget them)
  • Check books for signing/selling Saturday morning. I should be good to go because they’re still packed from the library local author showcase, but I might stick some anthologies in there too if I still have any floating around.
  • Likewise, pack credit card reader/money box (and probably go to bank and get change).
  • Figure out if I need permits for the signing/selling table and get them ready if necessary.
  • Find and read cliff notes version of the last season of Doctor Who so I can effectively pretend I know what I’m talking about tomorrow.
  • Pack bag:
    • Laptop or notebook for writing (the wifi has historically been spotty, so it basically depends on what I want to drag around with me)
    • Snacks
    • BUSINESS CARDS
    • Water bottle
    • Bookmarks? (I still have some from Shards floating around somewhere, though I think I’m out of the rest)
    • I feel like I’m forgetting something, so this spot is for when I remember later

I think that’s it. I hope that’s it. Squiders, if you see something I’m obviously forgetting, please let me know! Or if you have tips for being a panelist, I’d love to hear them!

Otherwise, I’ll see you guys next week!

MileHiCon, Next Nonfiction Topic, Et al.

Can you believe October is almost over, Squiders? I’m not ready! It seems like it just started, all full of promise and hope, but now the leaves have fallen off the trees and the gloom of winter is descending.

It’s MileHiCon this weekend. I’ve talked about it before, but for those of you who are new, it’s a literary-minded scifi/fantasy convention in Denver, Colorado. This will be my third year attending in an authorial capacity. In previous years I’ve run a table in the Authors’ Alley, which is where indie authors and small presses can set up shop for the weekend, sell books, talk to readers, etc.

In theory, the Authors’ Alley is a wonderful idea. In actuality, it varies based on where you are in the alley and how tired potential readers are by the time they get to you. My first year (2014) was pretty decent. Last year was miserable. And it didn’t help that I had to man my table by myself (I was running one for Turtleduck Press and the other authors couldn’t make it either time) and was essentially stuck there all weekend. TRAPPED.

(On the other hand, sometimes it can be somewhat beneficial. I’ve edited chapters, written short stories, drawn landsquid pictures for the blog, etc., all while trapped at my Authors’ Alley table.)

So this year, I’ve got a 2-hour slot at what they call the Authors’ Co-op table. Same thing as Authors’ Alley, where you can set up shop, sell books, do autographs, etc., but 1) it’s free and 2) it’s for a limited time period and then you’re freeeeeeeee, free, thank the Lord.

In addition to this, I have finally figured out how to get on panels. Last year, I think, oh, two weeks out from the convention, I emailed the panel coordinator and told her that if she still needed people, I was ready and available, and she very gently told me that I was several months too late and helped me so I didn’t mess up again this year.

I’m hoping the panel + limited table stuckage will result in a more enjoyable convention, and one that’s more beneficial to me as an author in both a networking and a marketing manner. I’ll let you know next week.

So, according to the poll, it looks like people want to do common writing problems as our next nonfiction topic. I hope to outline the book tomorrow but it may take me a few days to get everything in order since I need to figure out what the most common writing problems are (with a focus on fiction, since that is my specialty). If I get everything ready by Thursday we’ll start this week, but with the con looming I make no guarantees.

(If you have a problem you’d like to seen covered, let me know!)

My drawing class is going well, though it’s not quite what I wanted. I finished my project yet we still have one more week, so not sure what I’m going to do. Draw landsquid and alpaca, I suppose.

How are you, Squiders? Advice on being on a Doctor Who panel when I haven’t seen most of the last season and seemingly have no way to do so before the convention starts (I have been on the hold list for the library copy forever)?

The Chocolatier’s Wife/The Chocolatier’s Ghost

Happy Thursday, Squiders! (I’m actually writing this at the beginning of July, so this shall be my farthest scheduled post of all time, ahahaha–I hope everything works!) Today I’m pleased to be the final stop for the tour for The Chocolatier’s Wife and The Chocolatier’s Ghost, two fantasy mystery books by Cindy Lynn Speer.

BLURB:

The Chocolatier’s Wife: ROMANCE, MAGIC, MYSTERY…. AND CHOCOLATE

A truly original, spellbinding love story, featuring vivid characters in a highly realistic historical setting.

When Tasmin’s bethrothed, William, is accused of murder, she gathers her wind sprites and rushes to his home town to investigate. She doesn’t have a shred of doubt about his innocence. But as she settles in his chocolate shop, she finds more in store than she bargained for. Facing suspicious townsfolk, gossiping neighbors, and William’s own family, who all resent her kind – the sorcerer folk from the North — she must also learn to tell friend from foe, and fast. For the real killer is still on the loose – and he is intent on ruining William’s family at all cost.

The Chocolatier’s Ghost: Married to her soul mate, the chocolatier William, Tasmin should not have to worry about anything at all. But when her happily ever after is interrupted by the disappearance of the town’s wise woman, she rushes in to investigate. Faced with dangers, dead bodies, and more mysterious disappearances, Tasmin and William must act fast to save their town and themselves – especially when Tasmin starts to be haunted by a most unwelcome ghost from her past…literally.

The Chocolatier’s Ghost is an enchanting sequel to Cindy Lynn Speer’s bestselling romantic mystery, The Chocolatier’s Wife.

EXCERPT:

Time was, in the kingdom of Berengeny, that no one picked their spouses. No one courted—not officially, at any rate—and no one married in a moment’s foolish passion. It was the charge of the town Wise Woman, who would fill her spell bowl with clear, pure water; a little salt; and the essence of roses, and rosemary, and sage. Next, she would prick the finger of the newborn child and let his or her blood drip into the potion. If a face showed in the waters, then it was known that the best possible mate (they never said true love, for that was the stuff of foolish fancy) had been born, and the Wise Woman could then tell where the future spouse lived, and arrangements were made.

For the parents of William of the House of Almsley, this process would turn out to be less than pleasant.

The first year that the baby William’s finger was pricked and nothing showed, the Wise Woman said, “Fear not, a wife is often younger than the husband.”

The second, third, and even fifth year she said much the same.

But you see, since the spell was meant to choose the best match—not the true love—of the heart the blood in the bowl belonged to, this did not mean, as years passed, that the boy was special. It meant that he would be impossible to live with.

On his seventh birthday, it seemed everyone had quite forgotten all about visiting the Wise Woman until William, who knew this of long habit to be a major part of his day–along with cake, a new toy, and a new set of clothes–tugged on his mother’s skirt and asked when they were going. She stared at him a long moment, tea cup in hand, before sighing and calling for the carriage. She didn’t even bother to change into formal clothes this time, and the Wise Woman seemed surprised to see them at all. “Well, we might as well try while you’re here,” she said, her voice obviously doubtful.

William obediently held out the ring finger on his left hand and watched as the blood dripped into the bowl. “She has dark brown eyes,” William observed, “and some hair already.” He shrugged, and looked at the two women. “I suppose she’ll do. I’m just glad ‘tis over, and that I can go on with my life.”

“For you, perhaps,” his mother said, thinking of what she would now have to accomplish.

“Do not fret, mother, I shall write a letter to the little girl. Not that she can read it, anyway.” He petted his mother’s arm. He was a sweet boy, but he was always charging forward, never worrying about feelings.

The Wise Woman rolled out an elegantly painted silk map of the kingdom and all its regions, his mother smoothed the fabric across the table, and then the Wise Woman dipped a brass weight into the bowl. Henriette, William’s mother, placed her hands on William’s shoulders as the Wise Woman held the weight, suspended, over the map.

Henriette held her breath, waiting to see where it would land. Andrew, her younger son, had his intended living just down the street, which was quite convenient. At least they knew what they were getting into immediately.

The plumb-bob made huge circles around the map, spinning and spinning as the Wise Woman recited the words over and over. It stopped, stiffly pointing toward the North.

“Tarnia? Not possible, nor even probable. You must try again!”

For once, William’s mother wasn’t being stubbornly demanding. Tarnia, a place of cruel and wild magic, was the last place from whence one would wish a bride. They did not have Wise Women there, for anyone could perform spells. The Hags of the North ate their dead and sent the harsh winter wind to ravage the crops of the people of the South. Five hundred years ago, the North and the South had fought a bitter war over a cause no one could quite remember, only that it had been a brutal thing, and that many had died, and it led to the South losing most of its magic. Though the war was long over and the two supposedly united again, memory lingered. “I have cast it twice.” The Wise Woman chewed her lower lip, but therewas naught else she could do.

“Not Tarnia, please?” Henriette, usually a rather fierce and cold woman, begged.

“I am afraid so.” The Wise Woman began cleaning up; her shoulders set a little lower. “I am sorry.”

William, staring out the window at the children playing outside, couldn’t care less. What did it matter where anyone was from? She was a baby, and babies didn’t cause that much trouble.

“Only you, William,” his mother said, shaking her head. “Why can you not do anything normal?”

This was to be the tenor of most of their conversations throughout their lives.

BIO:

Cindy Lynn Speer has been writing since she was 13.  She has Blue Moon and Unbalanced published by Zumaya.  Her other works, including The Chocolatier’s Wife (recently out in an illustrated hardcover to celebrate its 10th anniversary) and the Chocolatier’s Ghost, as well as the short story anthology Wishes and Sorrows.  When she is not writing she is either practicing historical swordsmanship, sewing, or pretending she can garden.  She also loves road trips and seeing nature.  Her secret side hobby is to write really boring bios about herself.  You can find out more about her at http://www.cindylynnspeer.com, or look for her on Facebook (Cindy Lynn Speer) and Twitter (cindylynnspeer).

( Amazon Author Page )

GUEST POST:

As part of the tour, I’ve asked Cindy to put together a short post about where she gets her ideas. Take it away, Cindy!

~*~*~*~*~*~

Where do ideas come from?

The most important thing is to feed your muse.  Ideas are everywhere, but they need time to develop…and you need to feed yourself so that ideas have things to grab onto and add to themselves.  You may have this image in your head of a slave, who is lead to his freedom by a shape shifter who takes the form of a peahen.  (I do, I play with this story a lot, off and on.)  My problem is that I have not read enough…what would life be like for a black man of the time in the North?  What would induce him to go back — the woman wants him to, to free her husband, who lives inside the plantation house in a gilded cage.  I need to read to get his voice in my head, watch movies, look at pictures.  Then I will be able to take a wonderful idea and turn it into a great story.

For me, ideas are a combination of cool things coming together and things I would like to read.  Worlds I want to travel, people I want to spend time with.  You cannot draw anything from an empty well, so you should read, guilt free, widely.  Does it take time from when you should be writing?  Yes.  But if you are having a hard time putting ideas to paper because when you look inside your head and there’s nothing there to pull from, then maybe this is what you need to do.  Read things outside of your genre.  Read nonfiction that could be related to things you would like to write.  Go to museums, online and off, and explore their collections.  Look at the photos, the paintings, and tell yourself stories.  Throw your favorite TV or Movie characters in weird situations while you are sitting at a red light or waiting at check out.

Tell yourself stories as often as you can.  It does not matter if you can write them down or not, just letting your mind doodle, resting yourself from the everyday cares will strengthen you and help a lot.

As part of the tour, Cindy is giving away a $50 Amazon or B&N gift card. To enter, click the link below!

Enter to win a $50 Amazon/BN GC – a Rafflecopter giveaway

Nonfiction Poll, Videocast Thoughts, and Other Sundry

Hey, guess what, squiders. I found my paper for the Shards library book talk. It was under my bed. Sigh. Who the heck knows why. (There were also cat hairballs under my bed, alas.) Too late to save me now.

(One would think I would put it someplace where I can find it now, but it’s still on my nightstand. Authors: not always the most organized people. We can follow a character arc to its completion but can’t remember where we put our socks.)

Nonfiction! Let’s start back up. I’ve got two options for the next one instead of giving you the giant list.

I’m good with either though I have already done a lot of work on the outlining one, so if you want to make my life easier… >_>

So, it sounds like people like the videocast idea! I like it too, and I actually have a pretty decent set-up for doing video which I’ve used previously for interviews and whatnot, so it wouldn’t be hard to get going! But logistics, logistics. You have to be consistent. If you were to tune in to said videocast, how often would you want to? Once a month? Twice a month? Once a week? I’m thinking they’ll be relatively short, at least at first, 10-15 minutes.

I’m also pondering tying them into my Patreon. My Patreon is an ongoing adventure in “marketing that I don’t really understand but am fiddling about with” and I know that not consistently producing content for it helps it not at all (the problem of course being that I don’t really know what sort of content people want over there). The videos won’t be limited to Patreon subscribers, but maybe I could release them a day early or something. Who knows? Not me!

I’m attending an online marketing conference this week, which has been interesting. I’m doing the free versus the paid option, so I have the day of to watch the conference videos before they disappear, which has been challenging. Thus far it’s been a good reminder of things, and I have learned a few new things to try. But it–and some networking I’ve done over the past few weeks–have reminded me that hey, there are some points of this marketing/publishing part that I’m good at–good enough to teach other people–and that I’m not as terrible as I sometimes feel like I am. So that’s been really nice.

I’d like to do another book-related thing this month. Which do you guys like better, the readalongs or the library book sale find reviews? I mean, it’s too late to do a readalong for this month, but we could get one rolling for the holiday season (not like the holiday season needs more stuff, but hey).

Found anything cool lately, squiders? Please let me know your thoughts!

Pondering a Podcast

Good morning, squiders! How is your October treating you? We’re in the midst of a butterfly migration. Which sounds amazing, but they’re literally everywhere and every time I hit one with my car I feel like a horrible person. (Two weeks ago the newspaper said we were at the peak of the migration, but they were wrong. There’s so many they’re showing up on weather radar.)

buuuutttteeerrrfffllliiieeessss

So, I’ve been pondering starting a podcast for about a month now. Well, a videocast. The idea started after the local author showcase I did at the library at the end of August, and it’s percolated after the last month as I’ve done some other networking with local authors and gone over what I want out of my writing during my writing break last month.

The idea would be to talk about how awkward and horrible it is to be an author at times, all the silly introverted or shy mistakes that I make, to show that there’s a side behind the “professional” facade we’re supposed to present to the world.

(She says as she routinely posts pictures of landsquid.)

I just can’t figure out if it would be a good way to connect with people, or if it would be a good way to shoot myself in the foot.

Thoughts, squiders? Does hearing about my three awkward run-ins with the author coordinator at the library sound like it might be fun? Or do you think it’s a bad idea, that showing off potential weaknesses will make it harder for me to sell books in the future?

In other news, I’m taking a new approach to MileHiCon this year. Instead of buying a table in the Author Row and camping out sadly for the three days, I’m doing a 2-hour signing spot and participating on some panels instead. They sent out the initial panel listing the other day, and I’m on three, all fan-related stuff: Star Trek, Doctor Who, and fangirling in general. At first I was a bit disappointed at not being put on any writing ones, but now I think this will be better–it will be more fun, I hope, because I won’t have to worry so much about what face I’m presenting (see above) and I can hopefully connect to people on shared interests.

Anyway, let me know about the videocast. Still pondering, yet still routinely finding good topics for it…

(I would talk about other things too, genre stuff that catches my interest, writing, process, etc.)

Nothing’s Ever Where You Need it to Be

Oh, squiders. Why is it when you need something, and you know you just saw it, you can’t actually ever find it?

I feel like the more important said item is, the more likely it’s been jettisoned into space, never to be seen again.

In this case, I’m looking for the note sheet for when I did the Local Author Showcase for Shards so I can be properly prepared for the one this Sunday for City of Hope and Ruin. You know, not re-invent the wheel. Especially since I’ve already got to stress about going from the 10 minutes I had last time to 5 minutes for this one. Is 5 minutes long enough for anything?

It’s all for naught, though, because my notes from the last one are gone. Vanished. Disappeared into thin air.

I swear I saw them recently. I had to re-read Shards fairly recently to redo its book description (was that last year? yikes) and I think the notes were tucked in there when I picked my copy up. But where did I put them? They are no longer in the book (I’ve checked twice) and also don’t seem to be in the general vicinity of where the book hangs out (on top of the book case, currently under my copy of City of Hope and Ruin).

I’ve checked everywhere I keep story notes. (Which turns out to be entirely too many places and I should probably consolidate. But hey! I found the map that goes along with Broken Mirrors, which I’m not sure I’ve worked on since before I started this blog in 2010, but at least I now know where it is.) I’ve checked inside notebooks, where papers sometimes accidentally get forgotten or tucked, and I’ve checked inside folders that I might have taken to something writing related at some point. I even checked in the filing cabinet, though I’m pretty sure nothing remotely creative has ever gone into it.

And when it became obvious it was gone, I checked digitally. I checked my hard drive, and my back-up hard drive. I checked my Google drive and my email. Nothing. I finally, FINALLY, had the thought that I might have posted it on the blog since I had such a hard time finding resources to write the first one and, well, partial success. (There were pictures in that post at one time. Sigh.)

So I guess I should just give up and write a new one. Drat.

But again, 5 minutes. Do I squeeze in a 2-minute reading and do 3 minutes of intro/explanation? Do I just talk about the book and hope the process is interesting enough to get people’s attention? I am the only fantasy author in this particular bunch (8 authors), I think. I feel like for previous author showcases they’ve done a short blurb of each book and this one doesn’t, but going off of titles it sounds like most are nonfiction or memoir. Hard to tell.

Any advice would be greatly appreciated.

Here’s the official announcement:

Douglas County Libraries Local Author Showcase

From fiction to memoir to children’s, please join us to celebrate these Colorado authors and their books. To register, click here.

Sunday, August 20th at 2pm

Douglas County Libraries –  Philip S. Miller branch
100 S. Wilcox St.
Castle Rock, CO 80104

Peggy Robinson – My Journey through Cronic Pain and Wonders of Christmastime

Kit Campbell – City of Hope and Ruin

MaryAnn Sundby – Monday is Wash Day

Debbie Johnson – A Pocketful of Seeds

Susan G. Mathis – The Fabric of Hope: An Irish Family Legacy

Jean Jacobsen – The Reluctant Debutante

Thaddeus Dupper – Attack on Nantucket

Carrie O’Toole – Relinquished – When Love Means Letting Go

Well, at least I know where the rest of my promotional stuff is. Minor victories. See you Thursday, squiders!

(Also, I’ve started a lovely ’80s fantasy book called The Minecamp Vampire for our library book sale finds discussion. It is thus far as awesome as it sounds.)