Posts Tagged ‘fantasy’

Be Jealous of My Box of Books

So, everyone I know is moving this week.

Okay, not everyone, but five people. It’s still a lot. And all at the same time.

One of the things about moving is that you realize how much stuff you’ve wedged into your current place, and how a lot of it you haven’t touched in years. Luckily for me, my family has realized they have a lot of books that they’re never going to read again.

And now they’re mine, bwhahaha.

My grandmother is an avid mystery reader and had a ton of books she’d already read, and my mother was offloading MG/YA science fiction and fantasy that she’d needed to keep up with what her students were reading, but doesn’t need them now that she’s retired.

Here’s my haul:

Box of Books

Mysteries/Thrillers/Gothic:

  • Lion in the Valley, Elizabeth Peters (1986)
  • The Ipcress File, Len Deighton (1962)
  • A Cold Day for Murder, Dana Stabenow (1992) (haha, her name has “stab” in it)
  • The Man with a Load of Mischief, Martha Grimes (1981)
  • Booked to Die, John Dunning (1992)
  • The Missing Mr. Mosley, John Greenwood (1986)
  • Mosley by Moonlight, John Greenwood (1985)
  • Mists over Mosley, John Greenwood (1986)
  • The Mind of Mr. Mosley, John Greenwood (1987)
  • What, Me, Mr. Mosley?, John Greenwood (1988)
  • Smoke in the Wind, Peter Tremayne (2001)
  • “A” is for Alibi, Sue Grafton (1982)
  • Raven Black, Ann Cleeves (2006)
  • Edwin of the Iron Shoes, Marcia Muller (1977)
  • The Haunted Bookshop, Christopher Morley (1919)
  • The Scapegoat, Daphne du Marnier (1956)

YA/MG Fantasy/Scifi:

  • Uglies, Pretties, Specials (trilogy), Scott Westerfeld (2005-2006)
  • The Vampire Diaries (books 1-4), L. J. Smith (1991)
  • Songs of Power, Hilari Bell (2000)
  • Raven’s Gate, Anthony Horowitz (2005)

Other:

  • From the Mixed-up Files of Mrs. Basil E. Frankweiler, E. L. Konigsburg (children’s, 1967)
  • Lord of Legends, Susan Krinard (romance/fantasy, 2009)
  • The View from Saturday, E. L. Konigsburg (children’s, 1996)
  • The Wanderer, Sharon Creech (MG historical, 2000)

(I really like E. L. Konigsburg. Or I did as a kid.)

What do you think, squiders? Read any of my new acquisitions? Where would you start if you were me?

Advertisements

Guest Post: The Secret Lives of Royals by Shalini Dua

Happy Tuesdays, squiders! Today I’ve got a guest post on process from Shalini Dua as part of the tour for her YA/NA fantasy novel, The Secret Lives of Royals.

BLURB:

Olivia can’t take it anymore. She’s had enough of the big city and it’s lack of fulfilling her dreams. Then, just when she’s about to give up and move home, out of the blue, she is offered her dream job. Olivia is suspicious but that could just be the New York in her. She decides not to pull at threads. Despite her best efforts to remain blissfully oblivious, the secret to her life upgrade is soon uncovered when she finds herself invited to be part of a secret society.

Olivia learns that there is a thin curtain separating our world from theirs. Just beneath the surface, an entirely different one exists. One that is controlled by those of Royal lineage. The chosen ones, the Royals, hold the fate of the world in their hands. Will Olivia be able to bear the weight of the crown?

Confessions of a Shopaholic meets The Adjustment Bureau, this contemporary fairytale is both relatable and aspirational. Taking a look at the current balance of media and power with a healthy dose of humor, fashion, food and wanderlust.

EXCERPT:

I’m getting a very weird feeling. I consider turning around and leaving, but getting a cab on a cold rainy night before 2AM is going to be tough as they don’t begin frequenting the area until the bars start to close, and the nearest Uber appears to be 25 minutes away. Plus, I did go to all of this trouble to get my lazy self dressed and over here.

There is a crest engraved in brass metal on the front of the red door, an intricately designed crown and some lettering. I tilt my head to read it all the way around. ‘Alea iacta est memores acti prudentes uturi modus operandi’ I read aloud, and below, ‘Posteriori’. I recognize the language as Latin from the three weeks we spent on it during Intro to Languages, which was designed to help us choose one to focus on during our tenure at the university.
—–
Against my better judgment, I push on the heavy door, which creaks open. I enter into a cold stone-walled hall with a stone slab floor, lit by what appears to be a row of fire lanterns on each side. I guess this place is a bit behind the times in converting, or maybe they think it’s super ironic and hipster to not jump on the modernization bandwagon. Or maybe it’s me. I’m not exactly the authority on architectural trends. Maybe converted vintage is over and re-vintaged vintage is back in. Ugh, I can’t wait until I’m old and have an excuse not to be hip.

I walk down a windy stone hallway that seems straight out of a period film. Wow, they are really taking this theme seriously. How cool would it be if this stuff was authentic? I take a few pictures with my phone just in case. I mean as Cultures Editor, it’s always nice to be the one to discover the next big thing, like Connor said.

As I round the corner I hear, before I see, a British male mumbling to himself, apparently in debate.

“It’s so bizarre. But it couldn’t be. Could it? Stranger things have happened.”

I find myself face to face with a short-ish man, though taller than me, with glasses, wearing a sports coat with suede elbow patches. I scream in surprise and jump about five feet in the air. He seems slightly taken aback as well but less jumpy than me, or at least less vocal about it. He’s good looking in an intellectual sort of way and his dark floppy hair is conservatively combed back. I’m not sure if he’s startled by our unexpected encounter or my scream, but he does a bit of a double back.

“Sorry,” he recovers charmingly, “I didn’t see you there.”

“No, me either.” I try to breathe. I feel like I know him from somewhere.

“Stuart Stephens.” He proffers his hand in greeting.

“Olivia Grace Thorpland.” I shake his in return. “But you can call me Gigi.”

“Hello, Gigi. Nice to meet you.” He is impeccably mannered even after our near death collision. Must be the British thing.

“So are you here for the party too?” I inquire. “Do you know where it is?”

“Party?” he asks, confused. “No, I just had a meeting here.”

“Ah, I see,” I say, although I don’t, given the hour. I definitely know him from somewhere. Got it, he’s a comedian.

“Well, care to join me anyway?” I offer politely. After all, he’s British, I’m being a good ambassador. He appears a bit bewildered.

“No, thanks. I best be going.”

“Are you sure? My friends are in there.”

“Really? Your friends are in there?” He seems surprised to see where I’m gesturing.

“Yup,” I tell him confidently.

“Oh, well, thanks for the invite, but I’m completely sure. Thanks anyway,” comes his nervous reply. “But, can I ask you a question?” I nod. “Is this all, um, kosher?”

“I, I, don’t know.” I hesitate. Is he Jewish and British? Is that a thing?

“Well, I’ll let you get on,” he says. “Have a good night.”

“You too. Bye,” I reply. And with that, we walk off in opposite directions.

Finally, I reach a semi-circled entryway that has the option of five doors, one straight ahead and two on either side. These are not your ordinary doors either. They are heavy, arched, rustic, dark brown, slated wooden doors. I’m not really in the mood to crash a wedding reception, murder, or worse, a live band performance; and, given that anything could be behind these doorways, I’m about to give up on this expedition completely, when one of the doors, the entryway smack dab in the center, starts to creak open, apparently of its own accord. A feeling of unexpected dread overtakes me. I brace myself, unsure of what to expect to find behind it.

You can pick up the book here: ( Amazon | iBooks )

AUTHOR:


An international upbringing and a love of stories laid the foundation for wanderlust. Shalini aspires to spend her time country-hopping and consuming pop-culture, comedy and good food but the reality is often frantically downing coffee, meeting deadlines at exactly the last second and working her unglamorous corporate job to fund all of the other pursuits.

The Secret Lives of Royals is Shalini’s debut novel. Her other work includes published poetry and scripts only she has read.

( Facebook | Twitter | Instagram | Website )

 

 

GUEST POST ABOUT PROCESS:

My writing process is a bit haphazard and involves lots of procrastination. I get really hungry, get creative with my snacks, binge watch Netflix for a while. It’s the only time I clean my apartment. And then, just when I’m about to go to sleep, inspiration hits and I stay up all night writing.

Beyond the daily struggle, The Secret Lives of Royals has been rattling around in my head for years. Inspired by school history lessons, my travels and wanderlust for places I haven’t yet managed to visit, and by my love of food and art. I absorb inspiration from all of my experiences and I’ve been lucky enough to travel to a lot of places.

In addition to my suburban Northern Virginia hometown in the States, I’ve lived in London and New York and visited many wonderful and exciting places around the world. Walking past the eclectic doorways in New York, getting lost in the small back alleys of London’s side streets, enjoying cafes along the cobbled roads in France, sitting in view of the Italian ports and eating gelato, walking Barcelona’s gothic district, with its beautiful historical architecture, and visiting the palaces and mosques of pre-colonial India have all inspired so much of my storytelling.

I always wonder what is going on behind those varied and intricately designed doors as I’m walking past and what amazing things might have happened in the past that shaped our history. I think about the people who have walked these streets before me and imagine what their lives must have been like. Those musings eventually end up sparking story ideas.

Olivia’s story is a culmination of my journey thus far and the daydreaming I’ve done along the way. I tend to fill in the spaces in between my experiences with my imagination and google.

Shalina will be awarding a $50 Amazon or B/N GC to a randomly drawn winner via rafflecopter during the tour.
Enter to win a $50 Amazon/BN GC – a Rafflecopter giveaway

Happy Book Birthday to In the Forests of the Night by KD Sarge

Happy Thursday, squiders! Today’s the launch of the second book in KD Sarge’s fantasy series, In the Forests of the Night.

If you guys know me at all, you know I adore fantasy forests, so the title alone is exciting.

(Fun story: I had a short story that was published last year called The Night Forest, but I’d originally titled it Forest of Night. But then KD–who had been referring to this book as “Hiro II”–let me know about the potential for title confusion and I had to change it.)

As a Keeper-Apprentice, Hiro Takai followed his master everywhere. The adept Eshan Kisaragi taught him swordcraft and spellcasting and demon-fighting, but it was only after Hiro’s Kindling that he learned what Eshan couldn’t teach him. Such as what could go wrong in a ritual that tied the soul of a human mage to a creature of elemental power. Or how quickly the Keepers could turn on their own.

Damaged and dangerous, Hiro fled, seeking the one person he knew would help—his teacher and his beloved, Eshan.

Now, though—Hiro found Eshan, in the midst of a battle he could not win and would not lose. Now Eshan’s body lives but lies withering, while his soul clings to the elemental tiger…somewhere. Hiro can feel it to the south, in lands his studies never reached, where demons are unknown but spirits walk the paths of the Forests of the Night—and sometimes wander out.

Hiro has one chance to save his beloved. If he can find the tiger, if he can retrieve Eshan’s soul before his body fades, a way may be found to make his master whole.

With a failed priest and a possessed boy as guides, with a mad phoenix in his soul and a growing understanding of just how little he knows of magic, Hiro will follow wherever the tiger leads.

As Hiro searches for his lover’s soul, Eshan, more than half-mad from the sundering of his being, meets a child fleeing both his family and himself. Together, they stagger across the continent, in need of aid that only Hiro can give…if he can find them in time.

It’s currently only available on Amazon, but it should be available on other platforms shortly. An excerpt is also available over at Turtleduck Press.

The first book in the series, if you’re interested, is Burning Bright.

I’m Sensing a Trend

Happy Tuesday, squiders! I just finished reading The Riddle-Master of Hed by Patricia A. McKillip, which is the first of a fantasy trilogy and was published in 1976.

Do you know what the book reminded me of?

The Finnbranch trilogy that we did the disastrous readalong of over the summer last year.

I mean, The Riddle-Master of Hed is a much better book, but it involved a lot of the same elements: young man whose destiny has been determined far in the past, a bunch of supernatural people, shape-shifters from the sea, a lot of wandering around, and a bunch of pretty thick mythology.

(Wikipedia tells me that the book features themes from Celtic mythology, which Finnbranch did as well, though McKillip is not quite so obvious about it.)

From this, I can only conclude that this was a fairly active fantasy subgenre in the late ’70s/early ’80s. I mean, what are the odds that the two fantasy novels from essentially the same time period (As I said, this one was published in 1976, and the first Finnbranch novel, Yearwood, is from 1980) I’ve picked up in the last six months would be so similar in tone and themes?

(I suppose it could say more about me than the publishing trends of the time. Obviously something drew me to pick up both trilogies, whatever the heck it was. This is what happens when you hoard books for years. You have no idea what you were thinking.)

Does anyone read more of the period of fantasy/remember this period in fantasy? Was this a trend? If so, what would you say is the quintessential book of the “destined young man who is more than he seems with story drowning in mythology” genre so I can get it out of the way? (Or avoid it entirely. Still not sure.)

I wish I’d done this trilogy first. It’s probably way more enjoyable without the Finnbranch flashbacks. I will probably read the next two books, because now I’m invested, and also the third book was nominated for the Hugo and a bunch of other awards.

Read this series, squiders? Thoughts? (No spoilers yet, please!)

The Chocolatier’s Wife/The Chocolatier’s Ghost

Happy Thursday, Squiders! (I’m actually writing this at the beginning of July, so this shall be my farthest scheduled post of all time, ahahaha–I hope everything works!) Today I’m pleased to be the final stop for the tour for The Chocolatier’s Wife and The Chocolatier’s Ghost, two fantasy mystery books by Cindy Lynn Speer.

BLURB:

The Chocolatier’s Wife: ROMANCE, MAGIC, MYSTERY…. AND CHOCOLATE

A truly original, spellbinding love story, featuring vivid characters in a highly realistic historical setting.

When Tasmin’s bethrothed, William, is accused of murder, she gathers her wind sprites and rushes to his home town to investigate. She doesn’t have a shred of doubt about his innocence. But as she settles in his chocolate shop, she finds more in store than she bargained for. Facing suspicious townsfolk, gossiping neighbors, and William’s own family, who all resent her kind – the sorcerer folk from the North — she must also learn to tell friend from foe, and fast. For the real killer is still on the loose – and he is intent on ruining William’s family at all cost.

The Chocolatier’s Ghost: Married to her soul mate, the chocolatier William, Tasmin should not have to worry about anything at all. But when her happily ever after is interrupted by the disappearance of the town’s wise woman, she rushes in to investigate. Faced with dangers, dead bodies, and more mysterious disappearances, Tasmin and William must act fast to save their town and themselves – especially when Tasmin starts to be haunted by a most unwelcome ghost from her past…literally.

The Chocolatier’s Ghost is an enchanting sequel to Cindy Lynn Speer’s bestselling romantic mystery, The Chocolatier’s Wife.

EXCERPT:

Time was, in the kingdom of Berengeny, that no one picked their spouses. No one courted—not officially, at any rate—and no one married in a moment’s foolish passion. It was the charge of the town Wise Woman, who would fill her spell bowl with clear, pure water; a little salt; and the essence of roses, and rosemary, and sage. Next, she would prick the finger of the newborn child and let his or her blood drip into the potion. If a face showed in the waters, then it was known that the best possible mate (they never said true love, for that was the stuff of foolish fancy) had been born, and the Wise Woman could then tell where the future spouse lived, and arrangements were made.

For the parents of William of the House of Almsley, this process would turn out to be less than pleasant.

The first year that the baby William’s finger was pricked and nothing showed, the Wise Woman said, “Fear not, a wife is often younger than the husband.”

The second, third, and even fifth year she said much the same.

But you see, since the spell was meant to choose the best match—not the true love—of the heart the blood in the bowl belonged to, this did not mean, as years passed, that the boy was special. It meant that he would be impossible to live with.

On his seventh birthday, it seemed everyone had quite forgotten all about visiting the Wise Woman until William, who knew this of long habit to be a major part of his day–along with cake, a new toy, and a new set of clothes–tugged on his mother’s skirt and asked when they were going. She stared at him a long moment, tea cup in hand, before sighing and calling for the carriage. She didn’t even bother to change into formal clothes this time, and the Wise Woman seemed surprised to see them at all. “Well, we might as well try while you’re here,” she said, her voice obviously doubtful.

William obediently held out the ring finger on his left hand and watched as the blood dripped into the bowl. “She has dark brown eyes,” William observed, “and some hair already.” He shrugged, and looked at the two women. “I suppose she’ll do. I’m just glad ‘tis over, and that I can go on with my life.”

“For you, perhaps,” his mother said, thinking of what she would now have to accomplish.

“Do not fret, mother, I shall write a letter to the little girl. Not that she can read it, anyway.” He petted his mother’s arm. He was a sweet boy, but he was always charging forward, never worrying about feelings.

The Wise Woman rolled out an elegantly painted silk map of the kingdom and all its regions, his mother smoothed the fabric across the table, and then the Wise Woman dipped a brass weight into the bowl. Henriette, William’s mother, placed her hands on William’s shoulders as the Wise Woman held the weight, suspended, over the map.

Henriette held her breath, waiting to see where it would land. Andrew, her younger son, had his intended living just down the street, which was quite convenient. At least they knew what they were getting into immediately.

The plumb-bob made huge circles around the map, spinning and spinning as the Wise Woman recited the words over and over. It stopped, stiffly pointing toward the North.

“Tarnia? Not possible, nor even probable. You must try again!”

For once, William’s mother wasn’t being stubbornly demanding. Tarnia, a place of cruel and wild magic, was the last place from whence one would wish a bride. They did not have Wise Women there, for anyone could perform spells. The Hags of the North ate their dead and sent the harsh winter wind to ravage the crops of the people of the South. Five hundred years ago, the North and the South had fought a bitter war over a cause no one could quite remember, only that it had been a brutal thing, and that many had died, and it led to the South losing most of its magic. Though the war was long over and the two supposedly united again, memory lingered. “I have cast it twice.” The Wise Woman chewed her lower lip, but therewas naught else she could do.

“Not Tarnia, please?” Henriette, usually a rather fierce and cold woman, begged.

“I am afraid so.” The Wise Woman began cleaning up; her shoulders set a little lower. “I am sorry.”

William, staring out the window at the children playing outside, couldn’t care less. What did it matter where anyone was from? She was a baby, and babies didn’t cause that much trouble.

“Only you, William,” his mother said, shaking her head. “Why can you not do anything normal?”

This was to be the tenor of most of their conversations throughout their lives.

BIO:

Cindy Lynn Speer has been writing since she was 13.  She has Blue Moon and Unbalanced published by Zumaya.  Her other works, including The Chocolatier’s Wife (recently out in an illustrated hardcover to celebrate its 10th anniversary) and the Chocolatier’s Ghost, as well as the short story anthology Wishes and Sorrows.  When she is not writing she is either practicing historical swordsmanship, sewing, or pretending she can garden.  She also loves road trips and seeing nature.  Her secret side hobby is to write really boring bios about herself.  You can find out more about her at http://www.cindylynnspeer.com, or look for her on Facebook (Cindy Lynn Speer) and Twitter (cindylynnspeer).

( Amazon Author Page )

GUEST POST:

As part of the tour, I’ve asked Cindy to put together a short post about where she gets her ideas. Take it away, Cindy!

~*~*~*~*~*~

Where do ideas come from?

The most important thing is to feed your muse.  Ideas are everywhere, but they need time to develop…and you need to feed yourself so that ideas have things to grab onto and add to themselves.  You may have this image in your head of a slave, who is lead to his freedom by a shape shifter who takes the form of a peahen.  (I do, I play with this story a lot, off and on.)  My problem is that I have not read enough…what would life be like for a black man of the time in the North?  What would induce him to go back — the woman wants him to, to free her husband, who lives inside the plantation house in a gilded cage.  I need to read to get his voice in my head, watch movies, look at pictures.  Then I will be able to take a wonderful idea and turn it into a great story.

For me, ideas are a combination of cool things coming together and things I would like to read.  Worlds I want to travel, people I want to spend time with.  You cannot draw anything from an empty well, so you should read, guilt free, widely.  Does it take time from when you should be writing?  Yes.  But if you are having a hard time putting ideas to paper because when you look inside your head and there’s nothing there to pull from, then maybe this is what you need to do.  Read things outside of your genre.  Read nonfiction that could be related to things you would like to write.  Go to museums, online and off, and explore their collections.  Look at the photos, the paintings, and tell yourself stories.  Throw your favorite TV or Movie characters in weird situations while you are sitting at a red light or waiting at check out.

Tell yourself stories as often as you can.  It does not matter if you can write them down or not, just letting your mind doodle, resting yourself from the everyday cares will strengthen you and help a lot.

As part of the tour, Cindy is giving away a $50 Amazon or B&N gift card. To enter, click the link below!

Enter to win a $50 Amazon/BN GC – a Rafflecopter giveaway

Library Book Sale Finds: The Goldcamp Vampire

Hooray! Another one off the shelf for your enjoyment. Neither my husband or me cop to buying this. I mean, look at the cover.

This has no elements that would entice my husband. It’s bright. It’s colorful. No one is immediately dying. (My husband tends towards darker fantasy.)

But I dislike vampires. A lot. I so rarely pick up any sort of media that includes them, and there one is, right in the title.

(It probably was me. But what was I thinking?)

Maybe I thought it would be a romp. I do like romps.

Anyway! I bought this book at a library book sale in 2015 and now I have read it, and we can talk about it.

Title: The Goldcamp Vampire
Author: Elizabeth Scarborough
Genre: Historical fantasy
Publication Year: 1987

Pros: Occasional fun capers and no one cares about there being a vampire, not even the Mounties
Cons: Wanting to beat viewpoint character over the head with something

I wanted to like this a lot more than I did. It’s fairly ridiculous, and no one’s fooling anyone, and also no one cares and it’s glorious. But I felt like the prose was dense and I admit to skimming when it got bogged down in description, and I wasn’t too fond of the main character, who often couldn’t see the forest for the trees.

(Goodreads includes a longer title: The Goldcamp Vampire, or the Sanguinary Sourdough, though I’m not sure where sourdough comes into it.)

This is also the second book in the series, the first being The Drastic Dragon of Draco, Texas. I have not read that book or this author previously.

Pelagia Harper, also known as Valentine Lovelace (author), has recently lost her father, so when his mistress offers her a chance to make a new life in the Yukon, she goes along with it, thinking she’ll at least have a good story to tell. There is a weird addition to the party, however–they’ll need to escort the coffin of the mistress’s new employer’s former partner with them.

By the time they reach their end destination, several people around them have died seemingly randomly, and Pelagia/Valentine has been implicated in at least one of their murders. So the mistress and her employer insist on hiding her in plain sight by dying her hair and making her a flamenco dancer at their saloon, answering to the name of Corazon and speaking no English.

So you can see what sort of book this is. I wish I had liked Pelagia/Valentine better. Besides the name confusion (as she rarely thinks of herself by name, and those around her have practically half-a-dozen names she’s referred to), she’s older (in her ’30s), an author, has dealt with supernatural creatures previously, and isn’t afraid to go to other people’s rescue. I should like her. But I didn’t. Nor was I too wild about most of the side characters, of which there are a couple dozen, which are sometimes hard to keep track of. I did like Larsson, Lomax, and Jack London, and occasionally Vasily Vladovitch. Oh, and the cat.

I dunno. I’d give it a 3 out of 5 stars. So not good, but not bad. If you like romps involving the Yukon, the Gold Rush, and vampires, hey, here’s a book for you. There’s also a were-moose.

Read anything else by Elizabeth Ann Scarborough? Would you recommend anything?

The Finnbranch Readalong: Winterking

We’re done! It’s a miracle.

Oh, squiders. This one started out so much better. There were other characters! There was a clear plot! And then it spiraled down into insanity still. Sigh.

Goodreads tells me that this book was nominated for best novel for the World Fantasy Awards in 1986, so I’m just going to assume that 1986 was a bad year for fantasy novels. (Actually, further research tells me books like RedwallHowl’s Moving Castle, and The Light Fantastic came out in 1986, so maybe we were awarding awards based on how smart we thought books were that year. Do you know what I mean? Where something is totally incomprehensible, so it must be because you’re not smart enough to understand it, not that it’s just a mess?)

I feel like we got an incomplete story. At the end of Undersea, Finn/Llugh/Ar Elon had disappeared instead of leading his people to war, as had been foreshadowed through both Yearwood and Undersea. And as it doesn’t seem like Paul Hazel wrote any more books related to this (there seems to be a fourth book, The Wealdwife’s Tale, which is not directly related), apparently that will just never be finished up.

Winterking takes place at some unspecified time which I assume is roughly the 1930s. It’s after WWI (as I assume the “Great War” is referring to) and there are cars, yet if it wasn’t for those clues, I would assume it was earlier, sometime in the 1800s, because despite taking place in New England somewhere, it feels distinctly like Regency-era novels I’ve read in terms of setting/conventions. I had to keep reminding myself that this was supposed to be the New World because it felt like we were in England.

(Of course, it’s not really New England and it could literally be any time, but that leads us into the messy part of this and I’m not ready for that yet.)

SPOILERS AHEAD

We follow Wykeham, whom I originally thought was Finn but I’m pretty sure is actually supposed to be Wyck, who was present for most of Undersea though not seemingly of any import til the end. (Remember when I was talking about allegories about youth?) Finn gave him his cloak early-ish in Undersea which apparently made it so he could never age, and so he’s just gone on, forever, pretending to be his own son, in what’s a fairly standard I’m-immortal-and-this-is-how-I-don’t-seem-too-suspicious way. That part was interesting.

And then it gets messy. So apparently Wykeham has the ability to remake the world, or at least a little section of it, whenever things start to not go his way, or whenever Duinn (the god of death) gets too close. I assuming Duinn is Finn/Llugh/Ar Elon, that this is the name he did not give in the last book, though this is never explicit. So I could be completely wrong.

So Duinn gets too close, and there’s something about Indians burning churches (I really just…did not understand what the Indians ever had to do with anything. They’re in there from the beginning, and at first, before the whole world remaking madness cropped up, I assumed they were just your standard Native Americans handled indelicately because it was the ’80s. But later on I think they’re more of an indicator of how close Duinn is to catching up to Wykeham.) and Wykeham gathers nine men to him to remake the world again, and he uses the memories from himself and the nine to create the world, so it keeps people and conventions and things that people want in it.

And then, and I’m just trying to make sense of the madness, something goes wrong with the new world creation, because it’s snowing, and there’s still Indians, and the stone kings from the first book, and I think the implication is that the women (who left during the actual world remaking) got into the process accidentally, or at least Nora did, since she didn’t get all the way away (distracted by Duinn) during the remaking, and also because she’s Wykeham’s daughter, and maybe somehow has some of the same ability.

AND THEN THE BOOK JUST STOPS so there’s STILL NO RESOLUTION.

AUGH.

Anyway, if you’ve read these along with me, I’m sorry. Also, I hope you followed what happened better than I did.

Have a good weekend, Squiders!