Posts Tagged ‘musicals’

October!

It’s that time of year again.

fear them

October! Best month of the year! You guys are probably sick of me saying that every year, but it continues to be true.

The temperature is finally dropping enough to wear, you know, pants. And other fun things like boots and sweaters. The leaves are changing. People don’t look at me as weird for drinking tea all the time. The world turns a little bit goth, just for fun.

Here’s what October looks like on my end:

  • Rehearsal starts tomorrow for the Christmas review show. They gave me a solo. They weren’t supposed to ever actually do that. But aside from never having sung by myself in front of more than about three people at a time (aside from auditions), I’m pretty excited. Some of the songs are the same as last year, so less work for me. <_<
  • I’ve got a major client edit. It’s my fourth book for this client, and his books are just massive. So that will probably carry me through til the end of the year.
  • Also I have a beta that I’m about 60% done with that I need to finish up and get back to the author.
  • Red Mars needs to be read by Nov 1 and I have yet to start it. (Not too worried; I read pretty fast. Got distracted by a book talking about the relations between haunted places, our psyches, storytelling, and ghosts. Seasonally appropriate.)
  • I’m two-thirds of the way through my Python class. Did I tell you I was taking a Python course? I am. Programming seems like a good thing to be generally proficient in. Said class takes between six and twelve hours a week, so it’s more of a time commitment than I was expecting going in.
  • I’m halfway through my fitness challenge.
  • On the writing front, it’s all Fractured World, all the time. All the plans I had for September got eaten and it may be December before I get back to most of them. Priority is working on the sequel to City of Hope and Ruin as well as a related anthology (which I am super excited about–really looking forward to writing my story, as well as seeing the other ones).
  • My birthday is next week! I keep trying to direct people to my Amazon wishlist but no one ever listens. (Also, on a related note, can you make Etsy wishlists?)

I’m not a pumpkin spice person myself, but I always hail the return of pumpkin spice season, because it means peppermint everything season shall be here shortly.

October, squiders! Do you love it? Grand plans for the month? People doing Nano? Should I talk about Nano?

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Aaaaaaahhhhh

Good afternoon, Squiders! (Though it’s inching onto evening at this point…) I hope you all had a lovely weekend! I didn’t have to host anything so mine was quite nice indeed.

We’re into tech week for my musical review. We started on Sunday, and on we go, three hours a night, until Thursday. Friday’s off, and then the performances are on Saturday. Ha. Haha. We got a new song last night which tells you about the general put-togetherness of the whole thing.

The music sounds lovely, for the most part, though there are still a few songs that are a bit shaky (ironically, the new song actually already sounds pretty good). Mostly it’s songs where we’re expected to do something as well as sing, but not always. Also there is a children’s choir singing songs which I was unaware of until Sunday. Ha. Haha.

We finally got the order of the show sometime at the end of last week and are expected to have it memorized by Saturday, which may be wishful thinking. Said show flow also included a ton of new lines for people, so that’s also been interesting. (My sole line–“Uh, I don’t think so”–has luckily been easy to remember.)

This whole thing has been very interesting. I love the people and the music is super fun, so whether we sink or swim on Saturday is kind of moot for me (also it is a free show and the audience shall be plied with cookies and cocoa). I think we’ll probably pull it together. Everything always seems to do so, no matter the odds. And, as I said, the singing sounds good, and isn’t that really what you need out of a musical review?

In other news, people from the shows have been bugging me to join the choir, and so I have, at least for the big Christmas concert. This is an hour-long concert that they do during church service, so I figured we were talking 3-5 songs (since there are children’s choirs and bells and brass and all sorts of various musical groups included) but I got handed 10 different songs last night, all of which are 4 or 8-part pieces. And the concert is on the 10th.

Ha. Ha?

At least for choir, we get to hold the music in our hands. So thank goodness I don’t have to memorize all those, just know how they go.

Just know that I will probably be a little frazzled for the rest of the week.

And probably next week.

We should still have a common writing problem on Thursday. But I’m going to hold off on picking a readalong book until next week or the week after. I’ve done what I tend to do around the holidays, and that’s descend into cozy mysteries. I mean, if everyone’s into cozies we can totally do that, though it’s somewhat out of the scope of this blog.

(I’m on my third in the last two weeks. I read a Poirot book, and then the latest Meg Langslow–How the Finch Stole Christmas–and am now onto the first of a cozy series called To Helvetica and Back which was recommended by the cozy mystery group on Goodreads. And I love punny titles and also font jokes, so…)

Anyway! If you have cozy recommendations, let me know. I’m not generally one for baking-related cozies, but other than that I’m pretty open to themes, and if the baking ones are good, I’ll read them too. I’m really not picky. And otherwise, I shall see you on Thursday!

Play/Musical Logic

My husband and I are rather avid theater-goers. We have a season subscription at the local major theater complex for the big musicals that come through, and we supplement that by going to various local theaters’ (and occasionally high schools’) productions when they’re putting on something that looks interesting.

We’re going to three shows this weekend. Last night we saw George Bernard Shaw’s Heartbreak House (very good, and very funny in parts), tomorrow is Fahrenheit 451 (how could we resist, right?), and Sunday is I Love You, You’re Perfect, Now Change, which is part of the subscription. (We get a couple of random non-musicals in with our musicals. Not sure why.)

After the play last night, my husband and I were discussing things, and while it’s not particularly true of Heartbreak House, which is one of those plays where people mostly sit around and talk and are amazingly witty (like Lion in Winter, say) and nothing much of note happens, I’ve noticed that a lot of plays – especially musicals – have a very strange sense of logic that prevails.

I suspect it’s because they have such a short time to tell their story, and so they have to make weird leaps in order to get through the plot in the time allotted (usually denoted by how long an audience is willing to sit still).

In some ways, it’s a form of Fridge Logic (warning: TVTropes link). Fridge Logic is where, while something is happening, it seems perfectly reasonable, but when you think about it later, you realize that it doesn’t actually make any sense.

Some examples: Maria forgiving Tony immediately for killing her brother in West Side Story, the entirety of the plot of Phantom of the Opera, the ending of every farce every written. (And oh, how I love farces.)

People fall in love at the drop of the hat, with nothing in common and without even knowing each other. Villains, previously unstoppable, are brought down by something relatively simple and sometimes contrived. A single song can change a character’s entire way of thinking.

Yes, on some level I think it is necessary. You can’t put the necessary background in that you could in a novel or a TV series. And you can be distracted a lot by clever staging, a fun dance number, or beautiful costumes.

Still, next time you go to see something in the theater – look at the plot afterwards. I bet you’d find at least one place where, when you think about it, something just doesn’t flow right.