So, Squiders, this is our final post about submitting and publishing for the nonfiction book. I’ll take a few weeks off of the nonfic books after this, and then we can talk about whether or not we’d like to do another one or not.
So, today, we’re going to talk about how not to get scammed. There are a lot of prospective authors out there, and, unfortunately, there are also plenty of people willing to take money to prey on people’s dreams. While the rise of the Internet has helped authors immensely (usually a Google search can be enough to avoid some of the worst), there’s still some points to be salient about to keep yourself safe.
In Traditional Publishing, Money Flows to the Author
If you’re pursuing traditional publishing, this is essential to remember. If a publisher or an agent asks for money up front, this is a big red flag. There is no such thing as a “reading fee” or a “printing fee.” In traditional publishing, nobody gets paid until a book is published. Then the publisher takes their cut, the agent takes their cut, and the author gets their royalties.
Authors will occasionally get emails from various companies promising to publish them, but these are almost always scam companies. Legitimate publishers don’t have time to pull every author email they can find. Additionally, some agents may have connections with vanity publishers or editing services that can constitute a conflict of interest.
If you’re looking at an agent or a publishing house and something looks fishy, ask other authors. Many writing communities have spaces where authors can ask if people have used a person or a company and what their impressions were. There are also sites that keep track of potential scams, such as Writer Beware.
In Self-Publishing, Make Sure You’re Getting Your Money’s Worth
Self-publishing requires the author to be in charge of a lot of different aspects of publishing, and it can be a good idea to hire a professional for different aspects to help put out a quality product. But there are a million and a half companies out there that offer services to self-published authors, and it can sometimes be hard to tell legitimate companies from scammers or people who just simply don’t know what they’re doing.
The best way to make sure you’re working with someone with the necessary professional know-how is to ask other authors for referrals. Happy authors are more than willing to share the contact information for someone who’s done right by them, especially since many cover artists/editors/proofreaders are also one-person businesses and they like to see them succeed. You don’t need to talk to other authors directly if you don’t know many; many authors will talk about services they used on their blogs or list them in their books or on their website. Writing communities are also a good place to ask for recommendations.
Once you have some referrals, check out those people/services in depth. For cover artists, look at other covers they’ve done and see if you think their style will work for your book. For editors or proofreaders, you can ask for a sample page (or three) and see if you like their editorial style and if you think they’ll be good to work with. If you’re looking at hiring someone for a blog tour or another marketing campaign, you can normally look at campaigns they’re actively running and see how they’re going. Make sure you’re informed and know your costs/budget up front.
Self-publishing is also pretty easy to DIY these days. You’ll find services that will take over the “technical” aspects of publishing for you, such as uploading your book on to Amazon, but these are unnecessary, as it is pretty straightforward to do this yourself. A cheaper and better alternative, if you feel you can’t manage on your own, is to hire a self-publishing coach who will teach you the process so you can do it yourself in the future. Companies are willing to take money for just about any aspect of the self-publishing process. A bit of research to see if a service is needed, or if you can do it yourself, can be very helpful.
It also doesn’t hurt to be generally aware of the range of price for various services. That way if someone is much higher (or lower) than average, it can be a sign of something being a bit off. This is not always true; some highly experienced service providers may charge more because you’re getting a higher quality service, while many artists and editors who are starting out may not be aware of market prices or may be starting out at lower prices to build their client base/portfolio. Again, this is where talking to other authors can be beneficial.
It can be hard to pick out scam contests from legitimate ones, since many contests do charge some sort of entrance fee (which at least partially goes to paying out the prizes for said contest). Again, doing your research is key here. Ask other writers, make sure the organizations running the contest are legitimate and not tied to previous controversies, make sure there’s no strings attached to “winning” (a common scam is to make buying a certain number of copies of the “winners’ anthology” a requirement of publishing, and then charging $50 a book), see if they list previous years’ winners on their website, etc.
Avoiding scams across the board involves doing your research, reaching out to other authors, and paying attention to potential warning signs.
Missing anything, Squiders? Anything confusing?